Mary BlackCountry of origin:Ireland Type of music generally:Traditional Celtic and contemporary folk Status:Most recent release, Orchestrated (with the RTÉ Symphony Orchestra, 2019) See also:The Mary Black Page Comparisons:Frances Black, Joni Mitchell Covers/own material:Covers and own General comments:In the late '80s Mary Black toured with her brothers and sister Frances as The Black Family Comments about live performance:Indeed, her singing is quite divine, so it only seems likely that somebody/thing is watching over her concerts! :-) (jbr@casetech.dk) Recommended first album:Babes in the Wood Recordings:
CollectedRelease info:1984—Gifthorse Records—G2-10006 Availability:Wide Ecto priority:Recommended Group members:Mary Black—vocals, backing vocals, synthesizer Guest artists:Martin O'Connor—accordion Produced by:P. J. Curtis Comments:A lovely, low-key collection of mostly traditional songs. (JoAnn Whetsell) By the Time It Gets DarkRelease info:1987—Gifthorse Records—G2-10013 Availability:Wide Ecto priority:Recommended Group members:Mary Black Guest artists:Declan Sinnott—guitars, slide guitar, Spanish and acoustic guitars, EMAX synth, harmony Produced by:Declan Sinnott Comments:I love the opening title track which has great energy and promise, but the rest of the album, while really lovely, is a bit too samey and slow for my taste. (JoAnn Whetsell) Babes in the WoodRelease info:1991—Grapevine (Ireland)—GRAPECD 008 (I believe this has also had a U.S. release) Availability:Wide Ecto priority:Must have, if you can tolerate folk at all. (jbr@casetech.dk) Group members:Mary Black—vocals Guest artists:Maire Bhreatnach—fiddle, synth Comments:Great voice, a little sharp but very pleasant. Good lyrics and music, too, often very wistful. (jbr@casetech.dk) Looking BackRelease info:1995—Curb Records—D2-77718 Availability:Wide Ecto priority:Recommended for fans Group members:Mary Black—vocals Guest artists:Declan Sinnott—electric & acoustic guitars, dobro, synthesizer, harmony & backing vocals Produced by:Declan Sinnott; track 8 produced by Mary Black, Eleanor McEvoy & Noel Eccles Comments:Pretty soft pop, very pleasant easy listening, but even the most affecting song here "Ellis Island" doesn't grab me and inspire to listen to the album again. (JoAnn Whetsell) ShineRelease info:1997—Curb Records—D2-77888 Availability:Wide Ecto priority:Highly recommended Group members:Mary Black—vocals, backing vocals Guest artists:Jerry Marotta—drums, percussion Produced by:Larry Klein Comments:Beautiful pop album with much better-than-average songs and lyrics and mild Celtic influence, all carried by Mary's beautiful, crystal clear voice. (JoAnn Whetsell) Song for IrelandRelease info:1998—Gifthorse Records—G2-10050 Availability:Wide Ecto priority:Highly recommended Group members:Mary Black—vocals, bodhran Guest artists:Declan Sinnott—guitars, synthesizers, harmonies Produced by:Declan Sinnott, P.J. Curtis, Philip Begley Comments:The unifying theme of Irish songs (in subject and style) makes this a very nice retrospective of Mary Black's work (mostly solo, but one track from (The Black Family) is included). Fans of traditional music will find this album a pleasure to hear. (JoAnn Whetsell) Speaking With the AngelRelease info:2000—Curb Records—D2-77958 Availability:Wide Ecto priority:Highly recommended Group members:Mary Black—vocals, backing vocals, bodhran, paintbrush Guest artists:Donal Lunny—bouzouki, electric bouzouki, guitar, backing vocals Produced by:Donal Lunny (1, 3, 4, 8), Mary Black (2, 5, 6, 9, 10, 11), Steve Cooney (5, 7, 9, 11) Comments:One of Mary's most engaging albums. Not as pop as Shine, but a much better mix of bright, joyous upbeat songs and slower, more melancholy ones than on some of her older albums. Includes a heartbreaking cover of Sting's "Fields of Gold." (JoAnn Whetsell) Further info:Mary Black's songs appear on many compilations. Video releases include: The Collection Live (1992); Mary Black Live (2003); and Mary Black Live at the the Royal Albert Hall (2007). Other video appearances include The Late Late Show—Tribute to Sharon Shannon (1993); Gael Force (1998); Celtic Tides: A Musical Odyssey (1998); Bringing It All Back Home: The Influence of Irish Music (2001); and The Paul Brady Songbook (2002). Thanks to Jens P. Tagore Brage and JoAnn Whetsell for work on this entry.
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