Françoiz BreutCountry of origin:France Type of music generally:Low-key indie folk Status:Most recent release, Zoo (2016) See also:Françoiz Breut's site (in English et en français) Comparisons:Coralie Clément, Stereolab Covers/own material:Mostly covers; occasional co-writing General comments:Françoiz Breut's sound feels quintessenially French: low key, simple yet sophisticated, and a little world weary. Her overall sound is a kind of moody indie/alt folk. (Neile) Recommended first album:Un saison volée is my favourite of the three I've heard. (Neile) Recordings:
Françoiz BreutRelease info:1997—Lithium (France) Availability:France Ecto priority:Recommended for fans of low-key folk/pop Group members:Françoiz Breut—vocals Guest artists:Domique Ané—guitars, bass, keyboards Produced by:Dominique Ané and Françoise Breut with Dominique Brusson, Olivier Gruml, Gill Marlin and Sacha Toorop. Comments:This is a moody and calm album. If it were a smile, it would be straight with only a hint of a quirk to indicate the mood. Françoiz Breut has a rich, smooth that seems a touch world-weary. My favourite track here is "Motus" where she does a kind of duet with a male vocalist and her vocal plays against his, giving the song extra zip. (Neile) Vingt á trente mille joursRelease info:2000—Labels/Virgin France Availability:France Ecto priority:Recommended for fans of low-key folk/pop Group members:Françoiz Breut—vocals Guest artists:Dave Marcel—guitars (1-4, 6, 7, 9-14); moog (5); electric guitar (5, 8); "piano bastringue" (8); banjo (7, 11); coeurs de bucherons (9); piano, harmonium (13) Comments:Again, moody and calm with moments of quirk: "La Chanson d'Hélène" could almost be a Pram tune. "La Verre Pilé" is particularly compelling. (Neile) Une saison voléeRelease info:2005—Olympic Disk Availability:France Ecto priority:Recommended for fans of low-key folk/pop Group members:Françoiz Breut—vocals Guest artists:Luc Rambo—organ, synths, piano, sampling, percussion, keyboards, vibraphone, wurlitzer, synth bass Comments:With the stronger synth sound, this reminds me frequently of the lighter moments of Stereolab, especially such tracks as "La Vie Devant Soi". Une saison volée also seems to have a greater variation in tone than the previous albums. As in previous albums, I am drawn to the duets, even when she duets with herself. This album has several short instrumental "intro" bits that feel a little odd—I'm not sure how these function as part of the whole being created here. But what I am certain of is that anyone who likes low-key folk/pop will enjoy this album. (Neile) |
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