The ChangelingsCountry of origin:U.S. Type of music generally:Ethereal, Eastern Modal, Neo-Medieval Status:Most recent recording, Astronomica (2002) See also:Wikipedia's entry on The Changelings Comparisons:Perhaps a cross between Dead Can Dance and Miranda Sex Garden. (Violaine@juno.com) Covers/own material:Original material General comments:Not to be confused with the four-piece, guitar-based band from Sydney, Australia. Recommended first album:The Changelings Recordings:
The ChangelingsRelease info:1996—World Serpent Distribution—WSCD015 Availability:Unknown Ecto priority:Anyone interested in ethereal female vocals with a flair for medieval and eastern modal instrumental treatments would enjoy this album. (lotus@oz.net) Group members:Paul Mercer—violin Produced by:Bruce Bennett & The Changelings Comments:The Changelings offer us a well-produced, well-paced album for those that enjoy soft melodies and non-invasive, complementary instrumentation. If one is in the mood for restful, peaceful music that won't put you to sleep, The Changelings will be more than happy to oblige. Despite some of the percussive aspects of this album, The Changelings traverse fairly quiet territory. This is an excellent album to spend a calm afternoon with. (lotus@oz.net) Terra FirmaRelease info:1997—Middlesex Records Availability:Unknown Ecto priority:Recommended for lovers of ethereal/world music Group members:Paul Mercer—violin Produced by:Bruce Bennett & The Changelings Comments:More of the intriguing ethereal/world style evidenced in their first album. (Neile) AmphibianRelease info:1998—Middlesex Records—3000 Availability:Unknown Ecto priority:Recommended for lovers of ethereal/world music Group members:Nick Pagan—keyboards Guest artists:Josh Brown—sitar Produced by:Bruce Bennett, Douglas Jacobs & the Changelings Comments:Ethnic/Renaissance fusion conjures up a stately court waltz or perhaps an honoured, ancient ritualistic dance; the Changelings' new cd of Ethnic/Renaissance fusion is closer to a wild jig combined with some bawdy tavern shuffle. Amphibian starts out with a gentle, gothic lullabye of a piece, with rippling guitars, propulsive bass and Reagana Morris' prim, pure soprano twisting notes into trills. The next piece, "Frog Song", however, is more revealing of the sinister, twisted bent of this song-cycle. The lyrics are written from the viewpoint of frogs who want to rise up and destroy "non-circular" things. It's funny, goofy, and spooky all at once. Another song finds the songstress describing a delicate cat going about her rather nasty business of killing things. Two story-songs, in the firm tradition of British folk-balladry, are sung by the guitarist, who has a nice, sexy bass-tenor voice. One describes pirates and sailors, and is very ribald. The other piece is about a mermaid's despair. The Changelings mix a variety of instruments, from the traditional guitar-bass-drums-keyboards, to toy accordion, sitar, harp and violin. The album nicely balances story-songs, poetic pieces, and ethereal pieces that feature Reagana's swooping, crystalline, pretty-as-Wm.-Morris-wallpaper vocalizations. Imagine Kate Bush, at her most subversive, fronting Dead Can Dance, with the guy from And Also the Tree along for the ride. A great cd! (ethereal_lad@livejournal.com) Mercury epRelease info:1999—self-released Availability:Unknown Ecto priority:Recommended for The Changelings' fans Group members:Paul Mercer—violin Comments:A taste of what The Changelings are working on now. Not so very different from what they've been working on in the past (world-trance-dance), but has a stronger, less trancey beat. I like this slight shift in style. (Neile) Epicycles: Incidental Music 1997-2000Release info:2000—self-released Availability:Unknown Ecto priority:Recommended for The Changelings fans or fans of more dreamy ethereal music Group members:Paul Mercer—violin, viola Produced by:First four tracks by Bruce Bennett and The Changelings; last two tracks by DeArqe and Schendel Comments:This is definitely not my thing as my tastes run to more song-oriented music. The first four tracks were commissioned for a forthcoming computer games, and the last for for a haunted house. They're a little too dreamy and drifty for me, but fans of those things will love this! (Neile) Thanks to John Navroth for work on this entry.
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