Michelle MaloneCountry of origin:U.S. Type of music generally:Folk/rock, rock Status:Most recent release, Slings & Arrows (2018) See also:Michelle Malone's site Comparisons:Sheryl Crow, Melissa Etheridge, Kristen Hall, early Pat Benatar Covers/own material:Own, occasional covers General comments:Michelle Malone has been a big part of the Atlanta folk/rock scene for over 10 years. During that time she's been on a range of different labels, from indie labels to Arista to Indigo Girl Amy Ray's Daemon label. Over the years, Michelle's gone from rock to folk to rock again—she really can sing the hell out of both genres. She's great in concert, if you like acoustic and/or electric rock and roll and a voice that can belt you all the way through the back wall. A talented artist who probably never quite got all the recognition she deserved... (Sherlyn.Koo) Recommended first album:Beneath the Devil Moon Recordings include:
New ExperienceRelease info:1988—Aluminium Jane Records/Strange Bird Songs—SBS 001 Availability:Available through www.michellemalone.com Ecto priority:Recommended for fans Group members:Michelle Malone Guest artists:Gerard McHugh Produced by:John Keane and Michelle Malone Comments:This is a fairly standard debut album which unfortunately doesn't really live up to Malone's potential. Standout tracks include the jazzy "All I Can Give You Is Me", the energetic "New Experience", and "Incident 8". A lot of these songs were re-recorded for later releases and remain concert favourites today. While "New Experience" isn't bad, it's not my favourite Malone album either. (Sherlyn.Koo) Relentless(as Michelle Malone and Drag the River)
Release info:1990—Arista—ARCD-8630 Availability:No longer in print; check second-hand stores Ecto priority:Worth picking up if you're a fan and you can find a copy Group members:Michelle Malone—vocals, guitar, harmonica Guest artists:Dan Baird—guitar, vocals Produced by:Lenny Kaye Comments:Above-average rock 'n' roll—not bad for a major-label debut. It looks like Arista's marketing department was working overtime—there's long hair and cowboy hats everywhere on the cover. But the music's a lot better than you'd expect from looking at the packaging. Although the production is fairly standard country/rock, there are some nice unexpected touches here and there such as the Greek-sounding (to me anyway) instrumental "Chariot" and the more acoustic "Sure Thing" and "Counting Stars". As with New Experience, this album isn't bad, but isn't my favourite either. (Sherlyn.Koo) For You Not ThemRelease info:1992—Strange Bird Songs—SBS 002 Availability:Available through www.michellemalone.com Ecto priority:Recommended Group members:Michelle Malone—vocals, guitar, keyboards Guest artists:Christian Bush (Billy Pilgrim)—vocals Produced by:Don Macallister and Michelle Malone Comments:After parting ways with Arista and Drag the River, Malone sounds revitalised. In fact, this collection of songs sounds pretty much like what it is—a bunch of friends from the Atlanta music scene in a studio playing music together. It sounds like everybody's having fun, and although there's a loose "jam session" quality, the music itself is nice and tight. Malone's songwriting has definitely improved from the last two albums as well; it's obvious she's very happy to be out on her own (the album title dedicates the songs to the fans, not the labels). Standout tracks for me are "Á la Famille", "The Edge" and "Open Window". A highly enjoyable effort. (Sherlyn.Koo) Redemption Dream(as Band de Soleil)
Release info:1994—Daemon Records/Hifi Records—19005-2 Availability:Available through www.michellemalone.com Ecto priority:Recommended Group members:Michelle Malone—guitar, vocals Guest artists:Alfreda Gerald—vocals Produced by:George Pappas and Band de Soleil Comments:Malone's back in a band setting again, proving she can rock out with the best of them. This is a good, solid rock 'n' roll album, fairly dark in tone but with touches of optimism here and there. Standout tracks include "Sword", with its wailing background vocals; "Teen Lament", a toe-tapper which in concert turns into something more like a gospel singalong; and the moody "Hollow Day". If you can find a copy of the European release of this album it's especially worth picking up. The extra tracks include an excellent version of Neil Young's "Cortez the Killer", recorded live with the Indigo Girls in 1994. (Sherlyn.Koo) Beneath the Devil MoonRelease info:1997—Velvel Records, 740 Broadway, New York, NY 10003—VEL-79703 Availability:Widely available Ecto priority:Highly recommended Group members:Michelle Malone—vocals, electric guitar, acoustic guitar, slide guitar Guest artists:Melvin Baldwin Jr—drums Produced by:Michelle Malone and David Ryan Harris Comments:This is the album that should have really put Malone's name on the map; unfortunately she got sick and had to cancel much of its support tour. Many of the songs here were recorded by Band de Soleil for Bird on Fire, promotional copies of which were circulated but which was never officially released. While Band de Soleil fans might have been disappointed by the band's breakup shortly after, there's certainly no let-down to be found with "Beneath the Devil Moon". Superb songwriting combines with Malone's best vocal performance ever—there's more attention to vocal craft rather than simply opting for the power delivery we all know she's capable of. The result is a mature and polished product, Malone's finest to date. (Sherlyn.Koo) Home GrownRelease info:1999—Strange Bird Songs Records—SBS-004 Availability:Available through www.michellemalone.com Ecto priority:Recommended Group members:Michelle Malone—vocals, guitar, percussion, harmonica, dumbek Guest artists:Jimmy Byrd—guitar Produced by:Michelle Malone Comments:Back to basics again for Michelle Malone, who's proudly back on her own independent label. As the title would suggest, this record is a lot more organic and acoustic than the last. As with "For You Not Them", Malone sounds relaxed and happy to be making music for herself again. It also sounds like she's found some peace at last—the music feels like it's coming from a much happier and more positive place than it generally has in the past. This album didn't bowl me over with sheer power the way that Beneath the Devil Moon did, but it's a great collection of toe-tapping, enjoyable tunes from an artist who sounds like she's thriving. Standout tracks include the opener "Avalon", the melancholy "Learn to Cry" and the catchy "Havasu Falls". (Sherlyn.Koo) Further info:To subscribe to the Michelle Malone discussion list, send this command to majordomo@smoe.org: subscribe devil-moon [your email address] (with no brackets). Or replace "devil-moon" with "devil-moon-digest" for the digest version. Thanks to Sherlyn Koo for work on this entry.
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