Emily Portman
Country of origin:
England
Type of music generally:
Beautiful & fierce folk based on traditional stylings
Status:
Most recent release, the glamoury (2010)
See also:
Emily Portman's siteEmily Portman's other projects include the groups The Devil's Interval and Rubus, and she sings as a duo with Lauren McCormick.
Comparisons:
Sandy Denny, Lisa Knapp, Karine Polwart, Teresa Doyle
Covers/own material:
Own, with occasional traditional material
General comments:
Emily Portman is an enormously talented songwriter. Over the decades I have been interested in traditional music, I have heard many (mostly failed) attempts to write contemporary material that have the depth and echoes of traditional ballads—a feat that Emily Portman manages handily. It helps that she has a gorgeous, evocative, clear voice and also that the arrangements of her songs are inventive and just right for each song. On the basis of the glamoury, I will watch avidly for more solo work—it's brilliant so far. (Neile)
Recommended first album:
the glamoury is her solo debut
Recordings:
the glamoury (2010)
the glamoury
Release info:
2010—Furrow Records—FUR 002
Availability:
England; see Emily Portman's site
Ecto priority:
Highly recommended
Group members:
Emily Portman—vocals, concertina
Guest artists:
Lucy Farrell—vioin, vocals; lead vocal (4)
Rachel Newson—vocals, harp
Christian Dropolis [? nearly unreadble]—vocals, violin
David Newey [?]—guitar
Rachael McShane—cello (2)
Gabriel Waite—cello (3, 8)
Hinny Pawsey—fiddle
Produced by:
Not listed except track 9 produced by Finn McNicholas
Comments:
the glamoury is truly impressive debut. The songwriting is shockingly good—Emily Portman pulls off neo-traditional songwriting with such aplomb that her glorious version of "Two Sisters" doesn't overshadow the rest of the album, which are all her own compositions. These are strong, magical songs of transformation—beginning from the very first track, "Bones and Feathers," about a woman who creates birds from things from on the street (the tune and presentation of this song, especially her vocal swoops, remind me of early Joni Mitchell). She sings about selkies, sirens, magical coats, murdered children, and more. The production is excellent and the arrangements are soundscapes that illuminate each song and are full of musical and lyrical hooks. Highly, highly recommended. (Neile)
